homeACM372ACM374ACM310ACM399FutureSideBottomApple Certified Trainer

Affonso Goncalves on editing CAROL

Walter Murch on editing with Adobe

Anne Coates on editing


All videos featured in this website are for educational references only.


Keiki Wide
Photo by George Chun Han Wang

ACM 372 Editing for Cinema

What Does a Grade Mean at ACM?

- The Art of the Guillotine: a wesite for editors
- Hurlblog: a cinematography blog
- Cambridge in Colour: online resources for photographers
- Creative Cow: creative community forum
- Pro Video Coalition: media professionals community
- Splice Now: blogger: film editor Steven Cohen, A.C.E.
- Studio Daily: latest news in production and post production
- Video Rate Calculator: how much to charge for freelance work?

Video Conversions Codecs (for references only):
- CineForm codec info
- MPEG Streamclip info

Good Reads
- An AFI article on Oscar winning editor Anne Coates (link)
- Ang Lee and editor Tim Squyres on Life of Pi (link)
- Saturday Night Live film unit switched from Final Cut to Adobe (link)
- Editor Jordan Goldman on editing Homeland (link)
- R.I.P Abby Singer (link)
- Editor Barney Pilling on The Grand Budapest Hotel (link)
- Stargate Studios uses Sony A7s Multi-camera Rig for bkg plates (link)
- Editor Stephen Mirrione on cutting The Revenent (link)
- VFX Supervisor Roger Guyette on Star Wars: The Force Awakens (link)
- Color Grading for Editors (link)

- Android Prompter (Teleprompter) (link)
- iOS Pro Prompter (Teleprompter) (link)

- ACM Logo EPS file for black background video (link)

Course Evaluation: please complete your eCAFE survey.