This film will explore the complex assemblage of ingredients
and traditions manifest in a quintessential Mexican dish, mole (molli, in Nahuatl).
From the National Mole Festival in San
Pedro Atócpan (kmz), we
will examine the geographic and cultural variability of
mole dishes and analyze the botanical and biogeographical aspects of
its many ingredients. Other locations will include the
Ex-Convento de Santa Rosa in Puebla, considered the birthplace of
mole, and markets in Xochimilco, in
Oaxaca, and
in other parts of Mexico.
The Ethnobiology of Mole
will be written and presented by Edelmira Linares, of the Botanical
Garden at the National University of Mexico
(UNAM), who has published extensively on Mexican ethnobotany. We
plan to talk with cooks, botanists, and food scholars. The film
will be primarily in Spanish, with English subtitles.
The film will be produced by David Strauch, who will also
conduct filmmaking workshops for students of ethnobiology while in
Mexico.
By looking at a classic Mexican dish combining old
world and new world ingredients,
the Ethnobiology of Mole
will use an engaging subject to open up a number of ethnobiological
topics, while at the same time demonstrating the strengths and
flexibility of new digital media in presenting the material.
Interviews with preparers and eaters of mole and analysis of
ingredients will be used to investigate the way in which this dish is
used to invoke and negotiate the cultural intersection of pre-Hispanic
and European cultures.
Our analytic attention will focus on the
food plants used to make this dish, with attention to the origin and
cultural history of each plant, and those botanical characteristics
which are exploited by preparers of mole. We begin with chiles, a
new world plant domesticated into a plethora of varieties, a number of
which are used together to prepare the mole. Squash and different
kinds of tomatoes are also important indigenous ingredients, as well as
several plants (cacao, avocado, Piper spp., etc.) used to flavor the
mole. Other flavorings come from Asia and Africa via Europe, and
the nuts and fruits of other introduced plants are used to build the
dish. Although our focus is on plants, our title uses
“ethnobiology” because some attention will also given to the turkey, a
Mexican domesticate, whose meat mole classically accompanies.
Building on this botanic analysis we will examine
how local understandings of mole draw on these characteristics to
construct a discourse of cultural identity. We will interview
cooks, market vendors, food scholars, and celebrants at the National
Mole Festival in the outskirts of Mexico City, asking: What is
necessary to a mole? What ingredients might be substituted for
others? What is the history of each ingredient? Where were
ingredients obtained? On what occasions is mole eaten? How
was knowledge of mole learned? Our goal is to understand the
underlying culinary models which are invoked in the construction of
this dish. For instance, possible substitutions of ingredients
should reveal which plant characteristics have salience for
participants, and what structural components of mole are considered
essential. Perceptions of plant origins are critical to a dish
which is emblematic of a cultural as well as a floristic synthesis of
old and new worlds.
This project is ideally suited to digital video,
which can be used to record interviews with participants as they point
out the characteristics of the plants they use, and demonstrate their
culinary practices. Recording this on film links their
information to the visual botanical record, and allows their full
verbal and gestural expressions to be recorded and conserved throughout
the analysis, and included in the final presentation. The
preservation of this “flavor” is especially appropriate in treating a
subject in which nuances of taste and expression are highly valued, and
makes the final product of the study, an analysis presented on DVD,
accessible to its participants.