Images
On Wednesday I showed them all the photographs of the French Quarter in my Dad's most recent photography book, and I also showed them the images I'd created in my Arts Morgue (a notebook with pictures of paintings, sculptures, photographs, etc. I feel relate in some way to the play). I asked them to choose one image they feel their character would particularly
relate to.
Nina (Stella) liked 3 things: a woman's face covered in a black lace veil, a photo of a wrought iron balcony, and this nude called "Dawning" by my father Johnny Donnels (I love the fact that the pole in the photo across the window was rigged by my Dad to keep me from falling out of that window at Mardi Gras. The model's name is Missy):
Reb (Stanley) chose this piece by George Bellows (1924):
Dempsey and Firpo
Jeremy (Mitch) chose another photo by my father, called "Eye of the Storm."
Guen (Blanche) was attracted to this controversial 1934 piece by Paul Cadmus:
Fleet's In
relate to.
Nina (Stella) liked 3 things: a woman's face covered in a black lace veil, a photo of a wrought iron balcony, and this nude called "Dawning" by my father Johnny Donnels (I love the fact that the pole in the photo across the window was rigged by my Dad to keep me from falling out of that window at Mardi Gras. The model's name is Missy):
Reb (Stanley) chose this piece by George Bellows (1924):
Dempsey and Firpo
Jeremy (Mitch) chose another photo by my father, called "Eye of the Storm."
Guen (Blanche) was attracted to this controversial 1934 piece by Paul Cadmus:
Fleet's In
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