CULTURAL IDENTITY IN
KOREA AND JAPAN
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Themes
- cultural identity
- dualities: outside influence versus nativism
- "Sinicized"
- worldviews evident in aesthetic values
Environment and Development
Korean Peninsula
mountains *; terraced rice paddies *
- c. 2000 B.C.E. migration
- late 2nd cen. B.C E. Han Chinese influence
- after 220 C.E.Three Kingdoms: Paekche, Silla, Koguryo
- 669-935 Silla dynasty
- 935 Koryo usurpation; government modeled on Chinese
- 1218-1392 Mongol rule
- 1392-1910 Choson Period: Yi Dynasty
Japanese Archipelago *
- prehistory:
- c. C.E. 400 Yamato State
- C.E. 645 Taika Reforms, Prince Shotoku
- 710-794 Nara era
- 794-1185 Heian Era: Rule of Taste, Fujiwara family
- 1185-1333 Kamakura shogunate, samurai
- 1336-1573 Muromachi period, Ashikaga shogunate
Vietnam *
- Li 1009-1225
- Tran 1225-1400
- Le 1428-1788
Korean Culture and Worldview
- Chinese influence and Korean adaptation
- Han and 3 Kingdoms
- Tang influence on Silla
- Koryo imitation of Tang
- Yi: King Sejong (r. 1418-50), Confucian humanism
- Buddhism
- Maitreya *
- pagoda temple *
- "Koreanness":
Japanese worldview
- nativism versus importations
- Shintoism *: kami, emperor
- Confucianism
- Buddhism:
- Heian court culture, 7th-12th centuries
- Prince Shotoku 574-622
- Buddhism:
- shogunates and warrior culture, 12th-16th centuries
- age of mappo
- samurai
- Ashikaga shogunate*
- Buddhism:
- Japanese aesthetic values
- naturalness, simplicity, irregularity, asymmetry
- literature
- linked verse, Lady Nijo
- courtly, Murasaki Shikibu *, Tale of Genji *
- heroic epic, samurai war tales *;
- Kenko, Essays in Idleness
- Music: Gagaku See also Gagaku website
- Theatre: Noh: dramatic dance poem (14th cen). video sample [See also noh masks]
- Monochrome painting *, calligraphy *, "cold, withered, lonely" look
- Landscape gardening: Ryoanji Temple, Kyoto *
- Tea Ceremony, chanoyu *
- Noami 1397-1471
- Morata Shuko d. 1502
- ceremony: room, mood; Shino ware *
- Kakuzo Okakura, The Book of Tea (19th cen): Teaism
- Japanese aesthetics: simplicity, restraint; imperfect, austere; secular, pantheistic
Conclusions and Comparisons
- commonality: balancing native traditions versus Chinese influence
- difference: own cultural identities
Explore!
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kjolly@hawaii.edu 12/13/01