NARRATIVE DESCRIPTION:
Brambuk is located in a mountainous National
Park in western Victoria, where in the 1830s white pastoralists
engaged in a campaign of genocide against local Aborigines.
Enigmatic ochre and charcoal paintings in scattered rock shelters,
scarred trees, ancient circular stone structures, stone fish traps
and earth mounds are all that remain as evidence for surviving
Aborigines.
Through its fluid and embracing forms, raw natural materials and
subdues light, the building provides a healing refuge for the
fragile folk-soul to meet the future with hope and pride. It
is a living cultural centre, not a museum, where indigenous culture
is taught and practiced. Displays, workshops and tours give an
Aboriginal perspective and encourage protection of the vulnerable
archaeological and art sites. Aborigines staff manages the
Centre.
The building is the result of ten years of discussion between
representatives of five Aboriginal communities and government,
environmental, cultural and tourism bodies. An intensive
twelve-month ‘hands-on’ collaboration between community elders and
the architects followed. Their dominant spiritual sensitivity
to the land, and pride in the nearby recently discovered 8000 year
old stone dwellings and sophisticated weir systems, were awakened
and became significant factors in guiding the evolution of the
design. The communities’ individual totems animated and
underlie this design – The Eel (ramp), the Whale (ridge-spine), the
Eagle (roof forms), Stone (base, fireplace and floor) and the tree
(posts).
The building’s complex undulating form and dynamic balance is a
highly responsive participant in a lively conversation with people
and nature, bringing past, present and future into play. It
sits beside a creek, in the centre of a spectacular valley, with
adjacent wetlands, developed to control winter ground water.
An alignment with the highest peaks on either side of the valley
(from which hikers can look down) is reinforced from inside by
dramatically framed views and the central fireplace. This
concentrates and extends the powerful surrounding landscape.
Immediately around the building, earth berms protect an arborium of
edible and medicinal plants.
Traditional building techniques are married with advanced timber
technology to create a responsive organic building within an
extremely tight budget. Economic and speedy construction was
aided by the use of pre-fabricated 1200mm wide tilt-up timber wall
system suing radiata pine framing and plywood skin, which also acts
as an internal lining.
A massive central stone chimney (a radiant heart of warmth in
winter) supports a segmented ridge beam, constructed from short
lengths of straight LVL, lapped and nailed using nail gusset
technology from industrial buildings to form the complex warped
surfaces required for the roof. Curved handrails and external
cladding were economically steam bent on site with an improvised
steam chamber. Integrated into the structure are 100-year-old
recycled local mud bricks together with new bricks made by community
members. Aboriginal carpenters (including a young woman) and
labourers were employed in the construction.
Brambuk has already created intense pride and a sense of
ownership amongst Koories and is playing a key role in black/white
reconciliation. Brambuk’s widely acknowledged success has been
underpinned by the highest State and National awards for
architecture and eco-tourism, and has become an inspiration for the
initiation of Aboriginal cultural centres around Australia.
Brambuk is a spiritual and cultural icon for contemporary
indigenous identity.
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