NARRATIVE DESCRIPTION:
The building complex is located on WORLD
HERITAGE SITE as declared by U.N.E.S.C.O. It is designed within the
confines of the existing contours of the land, contains seven
different underground levels of exhibition galleries, links the
lower public entrance to the upper access to the kill site and
represents a level difference of 28 metres. The exhibition
galleries, which cascade beneath the surface of the site, are all
open one to another under one sweeping roof.
The building location and its approach provide visitors with a
progressive, unfolding appreciation for the area’s significant
message. Visitors approach the main entrance doors at the
bottom of the cliff via a pedestrian plaza flanked on both sides by
retaining walls simulating bedrock scars depicting an archaeological
dig. The door location and design provides visitors with a
feeling of stepping into an important cultural and spiritual
world. Upon entering the Centre, visitors are overwhelmed by
the drama and the spirit of the jump unfolding in front of them.
The interior is designed to bring visitors to the top of the
cliff, allowing them the opportunity to orient themselves and to
contemplate the buffalo driving lanes leading to the kill site.
The skylights over the ecology and buffalo jump exhibits, and the
location of the various stairs joining all levels and exhibition
galleries, demonstrate the interdependency between the exhibit
designs and the structure. The building is hand and glove with
the site, similar to the native way of life and their environment:
The large 3-storey volume of the archaeology gallery at the main
level is surrounded on the second level by the cafeteria, the End of
Way of Life Gallery, the audiovisual theatre, and the Buffalo Jump
Gallery on the third level. This provides a dramatic, feverish
character to the jump operation, the height of the fall, and the
celebrative spirit of the post-jump festivities.
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