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Notes: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11 | Papers: 1, 2, 3
Thai Photos: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13
Indonesia Photos: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11
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June 11,1999
Interview with John C. Shaw. Chiang Mai, Thailand.
Fish
While fish designs have been used throughout Thailand at all the
major kiln sites the 2 fish design representative of the yin and
yang is found only at the Sankampaeng kiln sites. In Sukhothai
the common design is with a single fish placed in the center of
the plate with floral designs surrounding it. In Sri Satchanalai
the outer rim was some times decorated with smaller fish. At that
time Thai people were not big meat eaters because of there Buddhist
restrictions on killing, and what little meat they did eat was
probably fish.
Most fish designs occur on plates. Occasionally fish will appear
on bottles, but not as the main motif as background decoration
only.
One old Chinese lady told of a time when she was young and her
mother used to serve them clear soup broth from a bowl with a
fish painted on the bottom to give them the illusion of eating
a soup with food in it.
Most plates were probably made for burial furniture as the Thai
people of that time did not have a culture of eating off of plates.
[they ate directly from the serving dishes or off of banana leaves
and the like.] The Thai were the major producers of fish design
plates, but some painted fish plates were found of Vietnamese
origin, and occasionally fish will turn up as a motif in Chinese
decoration.
Shaw is of the opinion that Thai high fire glazed ceramics originated
in the North specifically at the kiln sites in Phayo. [Shaw is
a collector and author of Northern Thai Ceramics] However, he
freely admits that Don Hein an expert on Sukhothai wares postulates
that high fired ceramics started in Sukhothai. Regardless the
fish motif probably originated and gained popularity in the North.
[stylistic comparison also seems to point to the confirmation
of this.]
*****from Ray Hearn
ray was helpful in getting me more focused on the types of motifs
available to concentrate on. i learned from him about the fish
motif used at multiple kiln sites. fish represent strength and
agility as they are able the swim up stream against strong current.
they also signify abundance, plenty and the basic necessities
of life being one of the most staple foods along with rice. when
the fish are painted two together laying head to tail they stand
as a symbol of the yin and yang, representing the duality of existence.
fish are a common symbol appearing on plates vases and bowls.
*****from Mao June 10,1999
Mao added that fish in Thai culture are traditionally seen as
a symbol of prosperity, and confirmed that the two fish design,
representative of the yin and yang, originated in the North. She,
however, felt that they originated at the Sankampaeng kiln sites. |
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