Helpful Tasks / Things to Consider:
1. List or depict in complete sentences the physical setting or settings in Hammad's poem, keeping in mind that the physical setting refers to elements such as the scenery, the geographical features, the weather. |
| 2. List or depict in complete sentences the psychological setting or settings in Hammad's poem, keeping in mind that the psychological setting often refers to the mood, or the pathos-based appeal of the setting. |
| 3. List or depict in complete sentences the cultural setting or settings in Hammad's poem, keeping in mind that cultural setting often refers to the habits of the inhabitants, or the religious or social patterns they exhibit. |
| 4. Explain how the settings themselves are ripe with conflict or tension. |
| 5. What is Hammad's narrator's primary concern? What does this narrator, as the protagonist, really want? What is this narrator's goal? |
| 6. Express who the antagonists are in this poem, keeping in mind that an antagonist, the opposing force to the main character, often tries to prevent the protagonist’s quest for the goal. |
| 7. Express who the alazon(s) is/are in this poem, keeping in mind that the Alazon is most frequently the helping character(s) who assist the protagonist in some way. |
8. Discuss any or ALL of the various conflicts that can be found in this poem: • Human-vs-human; |
9. • Universal symbols that embody universally recognizable meanings wherever used, such as light to symbolize knowledge, a skull to symbolize death, etc., • Constructed symbols that are given symbolic meaning by the way an author uses them in a literary work, as the white whale becomes a symbol of evil in Moby Dick. Based on these definitions, can you find universal symbols or constructed symbols in this poem? What are these universal or constructed symbols and how are they applied? |
| 10. What is the ultimate theme of this poem? What is Hammad's narrator trying to convey to you, the reader? |
11. Create a viable thesis statment for this poem, starting with... Suheir Hammad’s poem, “First Writing Since,” . . . . . .. (continue) |
`This is a condensed version of Ms. Hammad’s poem; the full version can
be accessed at
<http://www.inmotionmagazine.com/ac/shammad.html>
there have been no words.
no poetry in the ashes south of canal.
no prose in the refrigerated trucks driving debris and dna.
evident out my kitchen window is an abstract reality.
sky where once was steel.
smoke where once was flesh.
please god, let it be a mistake, the pilot's heart failed, the
plane's engine died.
please god, let it be a nightmare.
please god, after the second plane, please, don't let it be anyone
who looks like my brothers.
i do not know how bad a life has to break in order to kill.
i have never been so hungry that i willed hunger;
i have never been so angry as to want to control a gun over a pen. not really.
even as a woman, as a palestinian, as a broken human being. never this broken.
ricardo on the radio said in his accent thick as yucca, "i will
feel so much better when the first bombs drop over there.”
on my block, a woman was crying in a car parked and stranded in hurt.
i offered comfort, extended a hand she did not see before she said,
"we’re gonna burn them so bad, i swear, so bad." my hand went to my
head and my head went to the numbers within it of the dead iraqi
children, the dead in nicaragua. the dead in rwanda who had to vie
with fake sport wrestling for america's attention.
yet when people began saying, this was bound to happen, let’s
not forget u.s. transgressions,
hold up. i live here, these are my friends and fam,
and it could have been me in those buildings, and we're not bad
people, do not support america's bullying. can i just have a half
second to feel bad?
thank you to the woman who saw me brinking my cool and blinking back tears.she opened her arms before she asked "do you want a hug?" a
big white woman, and her embrace was the kind only people with the
warmth of flesh can offer.
"my brother's in the navy," i said. "and we're arabs". "wow, you
got double trouble." word.
one more person ask me if i knew the hijackers.
one more motherfucker ask me what navy my brother is in.
one more person assume no arabs or muslims were killed.
one more person assume they know me, or that i represent a people.
or that a people represent an evil. or that evil is as simple as a
flag and words on a page.
we did not vilify white men when mcveigh bombed oklahoma.
america did not give out his family's addresses or where he went to
church. or blame the bible or pat robertson.
and when the networks air footage of palestinians dancing in the
street, there is no apology that hungry children are bribed with
sweets that turn their teeth brown. that correspondents edit images.
that archives are there to facilitate lazy and inaccurate journalism.
and when we talk about holy books and hooded men and death, why do we never mention the kkk?
if there are any people on earth who understand how new york is
feeling right now, they are in the west bank and the gaza strip.
bush waged war on a man once
openly funded by the cia. i've read too many
books, know too many people to believe what i am told. i don't give a fuck about bin laden. his vision of the world does not include me or those i love. and petitions have been going around for years trying to get
the u.s.- sponsored taliban out of power. shit is complicated, and i
don't know what to think.
but i know for sure who will pay.
in the world, it will be women, mostly colored and poor. women will
have to bury children, and support themselves through grief.
in america, it will be those amongst us who refuse blanket attacks on
the shivering. those of us who work toward social justice, in
support of civil liberties, in opposition to hateful foreign policies.
"either you are with us, or with the terrorists" - meaning keep your people under control and your resistance censored. meaning we got the loot and the nukes.
i have never felt less american and more brooklyn,than these past days. the stars and stripes on all these
cars and apartment windows represent the dead as citizens first, not
family members, not lovers.
i feel like my skin is real thin, and that my eyes are only going to
get darker. the future holds little light.
my baby brother is a man now, on alert, praying five times a
day that the orders he will take are righteous and
will not weigh his soul down from the afterlife.
both my brothers - my heart stops when i try to pray - not a beat to
disturb my fear. muslim, gentle men. both born in brooklyn
and their faces are of the archetypal arab man, all eyelashes and
nose and beautiful color and stubborn hair.
what will their lives be like now?
over there is over here.
all day, across the river, burning rubber and limbs
workers are traumatized. the skyline is
brought back to human size.
i cried when i saw those
buildings collapse on themselves like a broken heart. i have never
owned pain that needs to spread like that.
there is no poetry in this. there are causes and effects. there are
symbols and ideologies. mad conspiracy here, and information we will
never know.there is death here, and there are promises of more.
there is life here. anyone reading this is breathing, maybe hurting,
but breathing for sure. and if there is any light to come, it will
shine from the eyes of those who look for peace and justice after the
rubble and rhetoric are cleared and the phoenix has risen.
affirm life.
affirm life.
we got to carry each other now.
you are either with life, or against it.
affirm life.