SPRING 2008 CAPSTONE PROJECT FORUM

INTERNATIONAL CULTURAL STUDIES CERTIFICATE PROGRAM

 

Redesigning the World One Home at a Time: Cultural and Military Imperialism in ABC's Extreme Makeover Home Edition

By: Angela Krattiger; Advisor: Vernadette Gonzalez

 

I analyze ABC's reality TV show Extreme Makeover Home Edition as one cultural text which creates and circulates national myths of American innocence, benevolence, and volunteerism, presenting a unified narrative of the nation.  I argue that EMHE is an important cultural text for understanding how national myths become created and circulated to Americans, particularly during times of war.  EMHE serves: (1) as a tool for military recruitment and patriotism during the "war on terror;" (2) to promote American exceptionalism and invincibility; and (3) as a distraction from policies that continue to escalate the "war on terror" and result in increased casualties and violence.

 

Contesting the “Invention of Tradition” Discourse:

Cultural Struggles in Kin Bay and Kaho‘olawe

 By: Kozue Uehara; Advisor: Mari Yoshihara

 

I examine two protest movements that emerged in the 1970s, one in Okinawa and one in Hawai‘i. The first, the Kin Bay Struggle, was a protest against the reclamation of Kin Bay (on the eastern coast of Okinawa) and the construction of oil storage tanks and refineries there. The other, the Kaho‘olawe Movement, protested against US military bombing of the Hawaiian island of Kaho‘olawe. In these two struggles, the practice of “traditional” culture enhanced the participants’ agency and their assertion of epistemological difference as a challenge to hegemonic forces, and strengthened community ties which in turn enabled networking with other struggles against developmentalism and militarism internationally. By examining the use of “traditional” culture in both movements, I argue that the “invention of tradition” discourse has failed to grasp the multiple components of cultural practice.

 

Singing Nationalisms: Language, Translation and Politics in the Singapore National Anthem By: Cheryl Narumi Naruse; Advisor: Mari Yoshihara

 

I analyze Singapore’s national anthem Majulah Singapura lyrics and performance in order to interrogate the ways in which the state (re)produces its national ideologies to construct its citizens. The national anthem can be read for themes of unity and simultaneity for the purposes of nationalism, but the national anthem also hails the Singaporean citizen as a modern subject by emphasizing the value of progress and success. I look at the translations of the national anthem into English to draw out the relationship of national ideologies to language politics in Singapore. Historical tensions with Malaysia and geopolitics relegate the Malay language to a token status, thus marginalizing the Malay community. Language politics in Singapore elevates the economic value of English and the cultural capital of Mandarin.

 

Friday, May 9th

10:00am – 12:00pm

East-West Center, Burns Hall 4005